Description: A standing pottery figure with short outstretched arms and wearing a rectangular flattened headdress with a decorated lower border, an eye mask, and with two crossed bands across the torso. The figure has a white slip with the decoration in dark brown. A band of perforations along the top of the head, some minor surface wear but a nice example of the type.
Size: 184 mm/7.2 ins. high
Culture: Peru, Chancay
Date: c. 1300 A.D.
Provenance: Ex Desmond Morris (born 1928) Collection, Oxford, and acquired from Harmer Rooke Galleries, New York.
Background: Desmond Morris is a renown author (best known for his best seller ‘The Naked Ape’ published in 1967), zoologist, surrealist painter and passionate collector, noted for his collection of ancient Cypriote pottery, published as a sumptuous volume by Phaidon in 1985 (‘The Art of Ancient Cyprus’) which although out-of-print remains the best reference available for ancient Cypriote pottery. He first started collecting postage stamps as a small boy and then moved on to fossils and minerals, then seashells, then tribal art, then modern art, then ancient Cypriote art, amassing some 1100 fine Cypriote objects. He then moved on to collect Russian icons and amassed a fine collection of Precolumbian art, then he moved on to Chinese art and finally assembled a collection of Algerian Berber pottery. He bought almost all his pieces at Sotheby’s and Christie’s in London, when there was far more on the market than there is now, although he also bought some objects from dealers in London, New York and Europe. Following the death of his wife, Desmond sold much of his remaining collections (his famed Cypriote art collection had been sold much earlier to finance other collecting interests) and moved to a smaller house in Ireland to live near his family. We were fortunate to acquire a number of his Precolumbian pieces. Desmond always regarded it important to have one’s collection on display around you and not shut away in cupboards. His advice - only buy items that catch your eye and are somehow special. Perfect advice from a true connoisseur.
Notes: Terracotta guardian figures (sometimes known as Cuchimilco figures) were important in Chancay Culture, which developed in central Peru during the later stages of the Inca empire. It is thought that they may have acted as guardians to the tombs of the Chancay people, or were placed with burials to provide companionship in the afterlife. Such figures commonly have their arms outstretched, as this one, interpreted as a welcoming posture.
A rare opportunity to buy an object from the collection of one of Britains’ most distinguished private collectors.
Please fill in the information below